Tag Archives: the interwebs explained

Excerpt: Chapter 4 – The War Over Internet and The Internet at War

One woman, Loraine Oliver, saw the problems immediately and took her male superiors aside, explaining to them that women were no longer interested in light labor and dictation, insisting that they be introduced to the heavy labor involved in Internet, just as their counterparts in warhead manufacture were no longer restricted to painting serial numbers on bullets, like so many copper fingernails.

Though it took nearly two years before the changes would be implemented by act of Congress, a woman as prominent as Eleanor Roosevelt stood behind the Women’s Information Corps as a champion of their cause, hoping for an “Irene Internet.” It was due to such support that, in 1943, President Roosevelt signed an honorary law allowing women in Internet to “work with their delicate hands.” Oliver treated the document as her passport toward workplace rights, and was shortly thereafter named head of Internet Technologies for the War Department, honorarily.

The transition wasn’t easy for the thousands of wives, mothers, sisters and aunts who wished to build up America’s defenses in the frequently overlooked information sector. Increasingly weakened by the Women’s Information Corps’ expectations and stringent demands to live down to them, their understanding of the Internet was little more than that of the average US citizen at the time. Oliver quickly remedied this with her pamphlet, “Building the Internet, One Girl at a Time.”  Though some of her senior male officers chided her for her use of the word “girl” rather than “woman,” (or, as the President himself recommended “womban”) her pamphlet worked its magic, and the Corps was quickly becoming the most Internet-savvy group in the country.

Building transparent internet portals and tubes for use in the President’s Civilian Conservation Corps, 22 the women serving under Oliver found themselves serving a societal purpose beyond the standard role of mother or teacher. Many of them went on to maintain the very tubes and portals they created with their own two hands.

Post-Modem Excerpt: Chapter 5 – The Post-War Interweb

An excerpt from Post-Modem: The Interwebs Explained, which is released on Tuesday, November 17, 2015.  From Chapter 5, “The Post-War Interweb”:

Preferring instead to call it a “space race,” the Soviet Union then attempted to soothe strained relations with the United States by sending up a considerably more humorous satellite, in keeping with their desire to create memorable events for those most starving and freezing to death. The following month, they launched Sputnik 2, with an angle toward cuteness – this time they included an adorable dog named Laika, whose presence aboard Sputnik 2 caused a great deal of controversy.  While one camp had hoped for a kitten named Mitsa (Russian for “mittens”) to be the world’s first living being to orbit the Earth, Khrushchev insisted that a cat would be too difficult to shove in a space capsule, given their wily nature and sharp claws, and so the issue was decided.

Though Russian telecasts featuring pictures of Laika contained adorable captions such as, “Where is today’s copy of Pravda?” and, over pictures of a yawning Laika, “I am a space monster, fear my wrath!” the flames were merely fanned between the two passive-aggressively warring nations. Shortly thereafter, the U.S. launched Explorer 1 on January 31, 1958, and followed this success up with what they considered to be the Ace up their collective sleeve. Intending to beat the Russians at their own game, American scientists chose to launch two monkeys, given that President Eisenhower was such an immense fan of Ronald Reagan’s Bonzo series of films, and had “always wanted to see a monkey pilot a rocketship,” despite the insistence of his scientists that neither monkey would have much control over the actual direction or speed of the satellite.

Though the winner of the space race was never officially declared, this brief moment of all-out competition does show quite clearly the loser of the Internet Race. The Soviet Union, for all its enthusiasm, never sought to outdo itself, and could therefore never hope to advance past the consistent ante-upping of the United States, its chief competitor. The real loser, of course, was the Internet, which enjoyed a brief moment in the spotlight, only to be cast aside as a remnant of a by-going era. Life and Look magazines ran ads calling Internet, “The New Rock and Roll,” and the television show The Phil Silvers Show even shot an entire episode dedicated to Sergeant Bilko finding a way to steal Internet access from the monkey satellite that was to launch from his fictional Fort Baxter. The episode, however, never aired, as enthusiasm fizzled quickly in the wake of the suggestion that man might one day, soon, travel to the moon. The lessons we can take from this turn of events are manifold, but perhaps the most important came from the words of Phil Silvers’ Sergeant Bilko himself: “I’m sorry, Colonel, sir, I couldn’t see you behind the monkey!” It would be almost a full decade before we, as a country, learned to see behind the monkey.

Book Launch Party and Reading 11/17, 8 PM at The One Up in Sherman Oaks

On Tuesday, November 17th at 8 PM, your author, Jason C. Klamm, B.A., will be launching his double-length novella Post-Modem: The Interwebs Explained at The One Up arcade and gastrolounge.  It will be hosted by brilliant actor Jeremy Guskin and will feature a reading by the author.  More information on the official event page: bit.ly/postmodemlaunch.

EXCERPT: Chapter 9 – Punning With Scissors: The Downside of Uploading

Chapter 9:
Punning With Scissors: The Downside of Uploading

Regardless of one’s position on the issue of file-sharing, there are a few cases that stand out for both sides of the arguments for and against the controversial practice. While mainstream artists both derided and endorsed the practice, the latter for its sheer ability to spread the word about talented music acts, some of them faced genuine obstacles in having to embrace not just the attitudes and habits of a new generation of music listeners, but an entire new era of technology and communication. One such artist was a man thought by most of his fans to be immune from “techno-fatigue” — “Weird Al” Yankovich.

When Napster was at its absolute peak in 1999 and 2000, “Weird Al” was in the middle of his “Running with Scissors” tour, premiering such hits as “The Saga Begins,” which combined the plot of the recently released first Star Wars prequel with Don McLean’s latest hit “American Pie,” using the two tools of his trade with much skill and to great personal reward. On stage, Yankovick was a ball of energy and spunk, performing “quick-changes” between his hits and performing rare and unreleased parodies to the delight of his audience. Psychologically, however, “Weird Al” was another story.

Long an icon of nerds and nerd culture alike, Yankavic was faced daily with the pressure of his core audience’s high expectations. Not only did they expect the same high energy and clever puns that had come to be Al’s trademark since the early days of “Another One Rides the Bus,” and “I Love Rocky Road,” but they expected his “nerd capital” to constantly self-replenish. While on the road, it was assumed, “Weird Al” was spending equal time rehearsing, performing, and updating himself on popular culture. All of this — music, quick-changes, auto­graph-sessions — right on the cusp of the dot-com bubble’s bursting. In an as-yet-unreleased autobiography entitled “Untitled Weird Al Autobiography,” Al reportedly confesses that his research time, his “Absorption Period,” is actually the time between touring and new album releases, as the tour bus is not a place for research, but rather a place for inspiration.

Needless to say, the unexpected rise in popularity of file sharing and the various associated programs thereof sent audiences looking to Al for guidance as to how they could best be ironically self-derisive regarding their use of such services, avoiding the stares and jests that inevitably came with expressing one’s knowledge of the current tech-world while in mixed company. In private, Al was counting down the days to the end of the “Running with Scissors” tour, hoping desperately to avoid another autograph session replete with questions about his “web site” and how he preferred to “connect” to the “information highway.” It was becoming too much for the comedian-cum-pop-star, and, though he wouldn’t admit it at the time, he was about to reach a breaking Continue reading EXCERPT: Chapter 9 – Punning With Scissors: The Downside of Uploading