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Phil Proctor is back, with the history of the Firesign Theatre! This time, we’re joined by Firesign archivist Taylor Jessen and Jeremy Guskin to talk about Waiting for the Electrician or Someone Like Him. It was a good, long conversation, so I cut it into two parts. There’s also video of
We’re covering Don’t Crush That Dwarf… for the second time in the show’s history, and this time we’re speaking with Tommy Edison, also known as the Blind Film Critic. Tommy has an infectious sense of humor, so he was a blast to have on the show. Blind since birth, Tommy’s experience with c
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[youtube https://www.youtube.com/watch?v=RpIPWN93Oz8]
Finally, after much too much trial and error, the video of our first in a series on Firesign Theatre’s history, with Phil Proctor.
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This week, we begin retracing the history of Firesign with Phil Proctor, in part one of a mini-series covering every album from the Columbia years, and perhaps moving on to more. Phil is currently working on an autobiography, so he’s in the storytelling mood, so while we planned to cover the
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Of course, the full title is “How Can You Be in Two Places at Once When You’re Not Anywhere at All,” and it’s one of the great Firesign albums. One half Firesign fever dream, and the other half a long-form Nick Danger adventure, this is the first album that ever exposed Firesign to me as a kid
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