Author Emma Woods has released her review of Post-Modem, and it’s decidedly positive.
https://theemmawoods.wordpress.com/2016/03/09/satirical-humor-at-its-best/
Read more at postmodembook.com: http://bit.ly/1MawQUB
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Author Emma Woods has released her review of Post-Modem, and it’s decidedly positive.
https://theemmawoods.wordpress.com/2016/03/09/satirical-humor-at-its-best/
Read more at postmodembook.com: http://bit.ly/1MawQUB
In my book, Post-Modem: The Interwebs Explained, I discuss many of my favorite Internet Future Theories, including building colonies on Internet. One noticeably absent subject, however, is how we will refer to Interwebs, Internets and Webules in the future. This might seem trivial, but imagine those who said the same thing in the early part of the 20th century.
“How silly! Who cares how we might refer to bandages in this imaginary future. Whether we refer to them as finger stick ’ems, handages or Band-Aids, the blood will cease!”
How silly, indeed. Is what I would say to this hypothetical person. It might seem harsh to use their own words against them, but again, ignorance of the eventualities that time will bring is not an excuse for not understanding how things will work out. Forethought is key when divining what the future holds, and that is what I hoped this segment of my book to be, should I have conceived of it before
A loyal fan has sent me irrefutable proof that my book is now available for purchase on Amazon.com (and at BarnesAndNoble.com, though that screenshot was much less fascinating) for $14.99. I’m also told that, per my request, Amazon is pairing my book with only the most exclusive day-to-day calendars, as specifically related to memes (in this case, an hilarious series of 365 instances of people being mean to dogs).
As I likely, or should have, mentioned in my book, the success of a meme can only be judged in physical terms. Analytics, facts and numbers can only do so much, when applied to the digitalness of the Internet and Internet-based materials. It’s when the physicality of paper comes int
You can buy Post-Modem: The Interwebs Explained today to learn how housewives in the 50s combined a turntable and a HAM radio to get Wi-Fi. What’s the the connection between “Mad Men”‘s Jon Hamm and AskJeeves (hint: you might want to ask Jon Hamm!). Is Richard Dawkins real? How did Stalin create the first LOLCat via Sputnik?
Whether an expert or a “newber,” Post-Modem is guaranteed to tell you something you would have never known about The Internet without picking up this book. Post-Modem is the unabridged, unedited history of the Internet you’ve always needed. It simultaneously derides the internet for its problems while praising it
One woman, Loraine Oliver, saw the problems immediately and took her male superiors aside, explaining to them that women were no longer interested in light labor and dictation, insisting that they be introduced to the heavy labor involved in Internet, just as their counterparts in warhead manufacture were no longer restricted to painting serial numbers on bullets, like so many copper fingernails.
Though it took nearly two years before the changes would be implemented by act of Congress, a woman as prominent as Eleanor Roosevelt stood behind the Women’s Information Corps as a champion of their cause, hoping for an “Irene Internet.” It was due to such support that, in 1943, President Roosevelt signed an honorary law allowing women in Internet to “work with their delicate hands.” Oliver treated the document as her passport toward workplace rights, and was shortly thereafter named head of Internet Technologies for the War Department, honorarily.
The
An excerpt from Post-Modem: The Interwebs Explained, which is released on Tuesday, November 17, 2015. From Chapter 5, “The Post-War Interweb”:
Preferring instead to call it a “space race,” the Soviet Union then attempted to soothe strained relations with the United States by sending up a considerably more humorous satellite, in keeping with their desire to create memorable events for those most starving and freezing to death. The following month, they launched Sputnik 2, with an angle toward cuteness – this time they included an adorable dog named Laika, whose presence aboard Sputnik 2 caused a great deal of controversy. While one camp had hoped for a kitten named Mitsa (Russian for “mittens”) to be the world’s first living being to orbit the Earth, Khrushchev insisted that a cat would be too difficult to shove in a space capsule, given their wily nature and sharp claws, an
An excerpt from Post-Modem: The Interwebs Explained, which is released on Tuesday, November 17, 2015. From the Wi-Fi section of Chapter 1, “The Internet”:
By 1958, the Wi-Fi service, which accounted for 9 out of 10 household Internet experiences, was proving its superiority over wired internet which, at this point, was still largely telegraph-based. Not only were the services easier to understand and use, but the entertainment value was greater, allowing consumers to control every aspect of what they saw on television. Says Net Historian Salman Gourd:
“This was the beginning of a true revolution – one that didn’t see itself truly realized until just a few years ago. People were finally given what they had been asking for since the earliest days of radio – the opportunity to get up and interact with the people that were being paid to bring them their free nightly
On Tuesday, November 17th at 8 PM, your author, Jason C. Klamm, B.A., will be launching his double-length novella Post-Modem: The Interwebs Explained at The One Up arcade and gastrolounge. It will be hosted by brilliant actor Jeremy Guskin and will feature a reading by the author. More information on the official event page: bit.ly/postmodemlaunch.
Read more at postmodembook.com: http://bit.ly/1WMUWyZ
Chapter 9:
Punning With Scissors: The Downside of Uploading
Regardless of one’s position on the issue of file-sharing, there are a few cases that stand out for both sides of the arguments for and against the controversial practice. While mainstream artists both derided and endorsed the practice, the latter for its sheer ability to spread the word about talented music acts, some of them faced genuine obstacles in having to embrace not just the attitudes and habits of a new generation of music listeners, but an entire new era of technology and communication. One such artist was a man thought by most of his fans to be immune from “techno-fatigue” — “Weird Al” Yankovich.
When Napster was at its absolute peak in 1999 and 2000, “Weird Al” was in the middle of his “Running with Scissors” tour, premiering such hits as “The Saga